Boarded up interior/exterior windows in Hotel Rexford. Daisy's shop has had some minor decorations added.
Daisy now shuts up shop for the night and heads to The Third Rail, she then sleeps. Added a chem seller and chem idles to see npcs taking drugs. Empty units are being offered for lease by the mayor. Removed lots of fake lighting, added actual light sources or deleted them. Townsfolk stuck in the State House all their lives now sandbox in the town. Fahrenheit will accompany him with her minigun as a show of force. Hancock will now inspect the town and business every few days, he will also keep an eye on Bobbi's place.
It’s a convincing simulation of becoming a superhero, and believing in it is the successful combination of a campy costume, daft voice acting and some of Bethesda’s best writing.-Daisy no longer floats while tending the counter. Meanwhile, Kent’s own sincere intentions to improve his hometown make you feel like you’re doing a genuinely good guy a favour, in a world where there aren’t too many decent people around.
Some NPCs on the streets mock your getup scathingly, but that persona is also powerful enough to scare some of your enemies into thinking this fictional character has actually come to life. Here, Bethesda really makes you feel like you’re stepping into the shoes of The Shroud, having previously spent hours as an ordinary survivor of the wastes. In my experience of the genre, the difference between a good and a bad quest can just be in the writing and the feedback you get from the world. The nuts and bolts of The Silver Shroud are extremely similar to the game’s other quests, but it demonstrates how context is everything in an RPG.
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